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Sans Normal Nomag 6 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Myriad Arabic' by Adobe, 'Catchfire' by Alan Smithee Studio, 'LCT Picon' by LCT, and 'Eastman Grotesque' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, bold, friendly, modern, confident, playful, impact, approachability, legibility, modernity, simplicity, chunky, rounded, compact, soft corners, high impact.


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A heavy, rounded sans with broad proportions and softly blunted terminals. Curves are smooth and full, counters are generous, and joins stay clean, giving the letters a sturdy, simplified silhouette. The lowercase has a straightforward, single-storey construction (notably in a and g), with a compact rhythm and minimal stroke modulation that keeps texture even across words. Figures match the weight and width of the letters, reading as solid, blocky shapes suited to large sizes.

This font performs best in display contexts where impact and clarity are priorities—headlines, posters, storefront or wayfinding signage, packaging, and bold brand marks. It also works well for short, punchy UI or social graphics where a friendly but commanding tone is needed, while longer text is better kept to larger sizes and shorter passages.

The overall tone is assertive and upbeat: loud without feeling sharp, and contemporary without looking clinical. Its rounded geometry and dense weight create a friendly, approachable voice that still carries strong emphasis. The result feels energetic and casual, well-suited to attention-grabbing messaging.

The design appears intended to deliver maximum presence with a soft, approachable edge—combining broad, geometric letterforms with rounded finishing to keep the tone welcoming. It prioritizes instant legibility and strong silhouette recognition for prominent typographic moments.

The wide set and thick strokes create strong horizontal presence, while open apertures help prevent the forms from collapsing in display settings. Diacritics and punctuation shown in the sample maintain the same robust weight, reinforcing a consistent, poster-ready texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸