Distressed Keja 2 is a very bold, normal width, high contrast, italic, normal x-height font visually similar to 'Akzidenz-Grotesk Next' by Berthold, 'Dexperdy' by Differentialtype, 'Autumn Voyage' by Hanoded, 'EquipCondensed' by Hoftype, 'American Auto' by Miller Type Foundry, 'Janone' by Outras Fontes, 'Aago' by Positype, 'Remissis' by Typodermic, and 'URW Grotesk' by URW Type Foundry (names referenced only for comparison).
Keywords: posters, headlines, album covers, packaging, event promos, gritty, punchy, retro, rowdy, handmade, impact, texture, vintage feel, diy tone, edgy branding, roughened, inked, blotchy, brushy, chunky.
A heavy, slanted display face with compact, chunky letterforms and a pronounced irregular edge treatment. Strokes look brush- or ink-loaded, with ragged contours, small voids, and occasional interior nicks that create a worn print/paint texture. The rhythm is energetic and uneven in a controlled way, with rounded joins, soft corners, and simplified counters that stay open enough for short text. Numerals and capitals carry the same dense weight and rough finish, giving the whole set a consistently distressed silhouette.
Best suited to short, high-impact applications such as posters, headlines, titles, merch graphics, album or podcast artwork, and bold packaging moments where texture is an asset. It can work for brief pull quotes or subheads when set with generous tracking and ample contrast against the background.
The font conveys a loud, gritty attitude—part hand-painted sign, part battered stamp. Its texture reads as tactile and imperfect, evoking DIY craft, street poster energy, and a slightly rebellious, vintage-leaning mood.
Likely designed to deliver an assertive, display-forward voice with intentional wear and ink texture—capturing the look of rough printing or brushed lettering while keeping a cohesive, repeatable set of shapes for branding and titling.
The distressed edge detail is substantial enough to become a key visual feature, so it benefits from sizes where the texture can be seen rather than collapse into noise. The slant and heavy mass make it feel fast and forceful, with strong black presence on the page.