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Free for Commercial Use

Sans Superellipse Tabut 6 is a very bold, very narrow, high contrast, upright, tall x-height font visually similar to 'Akkordeon' by Emtype Foundry, 'Maleo' by Tokotype, 'Impact' by URW Type Foundry, and 'Heading Now' by Zetafonts (names referenced only for comparison).

Keywords: posters, headlines, packaging, logos, merchandise, industrial, rugged, condensed, punchy, poster-like, impact, texture, compression, vintage print, urban signage, blocky, rounded corners, vertical stress, textured, compact.


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A compact, tightly drawn sans with rounded-rectangle construction and strongly vertical proportions. Strokes are heavy and simplified, with counters kept small and openings often narrowed, creating dense, high-impact silhouettes. Many forms show subtly softened corners and an intentionally distressed, ink-worn texture with small nicks and voids that break up the solid fills. Curves tend toward superelliptical rounds rather than true circles, and widths vary slightly by character, producing a lively rhythm while maintaining an overall compressed stance.

Best suited to display applications where strong presence is needed, such as posters, event headlines, product packaging, bold branding marks, and merchandise graphics. It can also work for short pull quotes or section headers where a gritty, printed feel is desirable, but it is less suited to long-form text or small UI sizes.

The font projects a tough, utilitarian attitude—part stamped lettering, part worn poster type. Its distressed surface adds grit and urgency, while the condensed build and rounded geometry keep it approachable rather than sharp or aggressive. Overall it feels energetic, urban, and attention-seeking.

The design appears intended to deliver maximum impact in a narrow footprint while adding a tactile, analog personality. Its rounded-rectangle skeleton suggests a modern, simplified construction, and the distressed detailing evokes worn ink, stenciling, or weathered sign paint for an intentionally imperfect finish.

The heavy weight and tight interior spaces make the texture especially noticeable at larger sizes, where the worn edges read as deliberate character. At smaller sizes, the compact counters and dense color may reduce clarity, so spacing and size choice will strongly affect legibility.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸