Sans Superellipse Gybap 2 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Mercurial' and 'Midsole' by Grype, 'Futo Sans' by HB Font, 'Certo Sans' by Monotype, 'RBNo3.1' by René Bieder, 'Nuber' by The Northern Block, and 'Obvia Wide' by Typefolio (names referenced only for comparison).
Keywords: headlines, branding, posters, packaging, ui labels, modern, industrial, techy, confident, friendly, geometric clarity, system feel, high impact, approachable modernity, rounded, squared, geometric, compact, sturdy.
A compact geometric sans with a rounded-rectangle (superellipse) construction throughout. Strokes are heavy and even, terminals are clean and mostly squared-off with generous corner rounding, and curves tend to resolve into smooth, boxy bowls rather than perfect circles. Counters are relatively small for the weight, giving a dense, sturdy texture, while spacing stays orderly and consistent for strong block-like rhythm in caps, lowercase, and figures.
Best suited to headlines, logos, packaging, and short to medium-length display text where its dense color and rounded-square geometry read clearly at a glance. It also works well for UI labels, dashboards, and wayfinding-style graphics that benefit from a sturdy, highly legible, modern sans.
The overall tone is contemporary and utilitarian with a friendly edge from the rounded corners. It feels confident and engineered, suggesting UI and product design contexts where clarity and impact matter more than delicacy.
The design appears intended to merge geometric rigor with approachable softness by building forms from rounded rectangles. Its heavy, even strokes and compact counters prioritize punchy readability and a consistent, system-like rhythm across letters and numbers.
Round letters like O/Q and numerals like 0/8/9 read as rounded rectangles, reinforcing the superellipse theme. The lowercase shows single-storey forms (notably a and g), and the t has a short crossbar, contributing to a streamlined, modern appearance. Numerals are wide and stable with squared curves, matching the caps’ compact, sign-like presence.