Inverted Mine 2 is a very bold, very narrow, high contrast, upright, tall x-height font.
Keywords: posters, album covers, zines, event flyers, headlines, grunge, punk, playful, handmade, chaotic, diy texture, rebellion, cutout look, impact, cutout, stenciled, collage, wobbly, irregular.
A condensed all-caps-and-lowercase design built from tall, uneven black tiles with white letterforms carved out inside them. The outer silhouettes of glyphs and sidebearings wobble from character to character, creating a jittery rhythm and noticeably irregular widths. Counters are sharp and angular in places, with frequent nicks, notches, and cut-in apertures that read like hand-cut stencil work; curves are simplified and often slightly flattened. Overall color is heavy and blocky, but the interior white shapes stay relatively thin and crisp, emphasizing the cut-out construction.
Best suited for short, punchy display settings such as posters, album/mixtape artwork, zines, event flyers, and provocative headlines. It also works well for badges, labels, and high-impact pull quotes where the irregular rhythm becomes part of the graphic composition.
The font feels rebellious and DIY, like ransom-note collage, zines, or hand-cut signage. Its rough edges and inconsistent geometry project energy, noise, and attitude rather than polish, giving it a humorous, mischievous edge when set in longer phrases.
The design appears intended to mimic cut-paper or stenciled lettering embedded in irregular blocks, prioritizing attitude and texture over uniform typographic regularity. It aims to deliver a strong, instantly recognizable silhouette that reads as handmade and deliberately distressed in display sizes.
Spacing is intentionally uneven: some letters sit tightly in their tiles while others leave pockets of black around them, which amplifies the improvised, handmade tone. The numeral and uppercase set match the same carved, tile-based logic, helping headlines maintain a consistent texture across mixed content.