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Free for Commercial Use

Sans Superellipse Simok 6 is a very bold, very narrow, medium contrast, upright, tall x-height font visually similar to 'Little Bosquee' by Doehantz Studio, 'Kuunari' and 'Kuunari Rounded' by Melvastype, 'TC Europa' by Monotype, and 'Address Sans Pro' by Sudtipos (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, sports graphics, condensed, punchy, industrial, authoritative, poster-like, space-saving impact, display emphasis, modern utility, blocky, sturdy, compact, high-impact, rectangular.


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A tightly condensed sans with heavy, compact strokes and rounded-rectangle counters that give curves a squarish, superelliptical feel. Terminals are mostly flat and blunt, producing a solid, block-like silhouette with minimal modulation and crisp interior corners. The lowercase is robust with a large body and short ascenders/descenders relative to the tall overall proportions, keeping word shapes dense and vertical. Numerals share the same narrow, sturdy construction, and the punctuation sits cleanly without ornamental detailing.

Best suited for headlines, posters, and short-form copy where space is limited but presence is needed. It works well in branding, packaging, and editorial display contexts that benefit from a compact, high-impact voice, as well as signage or sports/entertainment graphics that need quick recognition at a glance.

The overall tone is forceful and utilitarian, with a dense rhythm that reads as modern, industrial, and assertive. Its compressed width and heavy weight create a sense of urgency and impact, leaning toward headlines and display messaging rather than quiet text.

Likely drawn to deliver maximum impact within narrow measure: a dense, space-efficient display sans with a consistent, rounded-rect geometry. The intention appears to prioritize strong silhouettes, tight word shapes, and bold legibility for attention-driven typography.

Round letters (like O/C/G) keep a rounded-rectangle structure rather than true circles, which helps maintain consistent color in tight settings. The design’s narrow footprint packs a lot of ink into a small horizontal space, making spacing and line breaks feel compact and emphatic.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸