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Free for Commercial Use

Sans Superellipse Ordoj 1 is a very bold, very narrow, medium contrast, upright, normal x-height font visually similar to 'Geogrotesque Condensed Series' and 'Geogrotesque Sharp' by Emtype Foundry, 'Peridot Latin' and 'Peridot PE' by Foundry5, and 'Hype vol 3' by Positype (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, sports branding, assertive, industrial, retro, headline, space-saving impact, strong branding, poster display, graphic utility, condensed, blocky, monolinear, tall, high-impact.


Free for commercial use
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This typeface is built from tall, condensed forms with heavy strokes and compact counters. Curves are simplified into rounded-rectangle geometry, giving bowls and terminals a squared-off, superelliptical feel rather than fully circular rounds. Stroke endings are clean and blunt, with minimal detailing and a generally even stroke color, producing a strong vertical rhythm and tight interior spacing at display sizes. Figures share the same condensed, high-density structure and read as solid, graphic shapes.

Best suited to headlines and other high-impact display applications such as posters, signage, packaging, and attention-grabbing brand marks. It can also work for short subheads or callouts where a condensed footprint is helpful, but its dense counters make it less appropriate for long reading text at small sizes.

The overall tone is forceful and utilitarian, with a no-nonsense, poster-like presence. Its compressed proportions and squared rounds evoke a retro-industrial sensibility—confident, loud, and designed to command attention in short bursts of text.

The design appears intended to deliver maximum impact in limited horizontal space, pairing condensed proportions with rounded-rectilinear construction for a distinctive, consistent silhouette. The emphasis is on bold legibility and a strong graphic voice for display typography.

The uppercase alphabet dominates visually with uniform height and narrow widths, while lowercase forms remain similarly compact, creating a consistent, dense texture across mixed-case settings. The simplified, squared curves keep the style cohesive across letters and numbers, emphasizing a sturdy, engineered character.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸