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Free for Commercial Use

Sans Normal Kerul 8 is a bold, normal width, medium contrast, italic, normal x-height font visually similar to 'FF Kievit' by FontFont; 'Latina' by Latinotype; 'Niko' by Ludwig Type; 'Accia Sans' by Mint Type; 'Mato Sans' by Picador; 'Agent Sans', 'Akagi', and 'Akagi Pro' by Positype; and 'Acorde' by Willerstorfer (names referenced only for comparison).

Keywords: headlines, posters, branding, sports, packaging, energetic, sporty, confident, modern, friendly, impact, motion, approachability, display clarity, oblique, rounded, soft terminals, dynamic slant, compact caps.


Free for commercial use
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This typeface is a heavy, oblique sans with rounded, softly modeled forms and a clear rightward forward-lean. Strokes appear consistently thick with gently tapered joins and subtly sheared curves, creating a lively rhythm without sharp, mechanical corners. Uppercase shapes are compact and sturdy, while lowercase introduces more movement through single-storey constructions and rounded bowls, maintaining an overall smooth, continuous texture. Numerals follow the same robust, slanted logic with broad counters and stable silhouettes.

It performs best as a display face for headlines, posters, and branding where a bold, fast-moving voice is needed. The strong slant and dense stroke weight make it effective for sports or action-oriented identity work, as well as packaging and promotional graphics that need immediate presence.

The overall tone is active and assertive, with a forward motion that reads as energetic and contemporary. Rounded curves keep it approachable rather than aggressive, giving it a friendly, sporty confidence suited to attention-grabbing display settings.

The design appears intended to deliver a modern, high-impact italic sans that combines speed and friendliness. Its rounded geometry and heavy texture suggest a focus on energetic display typography that remains smooth and legible at larger sizes.

The italic angle is pronounced enough to create strong directional flow in words, and the heavy color produces dense, high-impact lines of text. Curves dominate the construction, and terminals tend to feel soft and slightly sculpted, helping large sizes look polished and cohesive.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸