Sans Superellipse Gudar 2 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Branden' and 'Branden Rounded' by Craft Supply Co, 'Kometa' by Kiril Zlatkov Type Foundry, 'Post Grotesk' by Monotype, and 'Core Sans N SC' and 'Core Sans NR' by S-Core (names referenced only for comparison).
Keywords: headlines, branding, posters, packaging, signage, friendly, modern, confident, approachable, clean, approachability, clarity, impact, modernity, simplicity, rounded, soft, chunky, geometric, open.
A heavy, rounded sans with broad, smooth curves and corners that read as softly squared rather than purely circular. The stroke weight is even and sturdy, with simple, geometric construction and open apertures that keep counters clear at display sizes. Round letters (O, C, G) have a superellipse-like silhouette, while straight-sided forms (E, F, H, N) feel blocky but softened by consistent rounding. The lowercase is compact and robust, with a single-storey a and g, a short-armed r, and a broad, symmetrical m; numerals are wide and stable with generous interior space in 8 and 9.
This font is well suited to bold headlines, brand marks, packaging, and retail or wayfinding signage where strong presence and quick recognition matter. It can also work for short UI labels and promotional copy at larger sizes, where its rounded geometry reads clearly and feels approachable.
The overall tone is warm and contemporary, projecting a friendly confidence without feeling playful or decorative. Its soft geometry gives it a welcoming, consumer-facing character, while the firm weight and simplified shapes maintain a straightforward, utilitarian clarity.
The design appears intended to deliver a contemporary, friendly sans voice with softened geometry—combining strong emphasis and high legibility with rounded, superellipse-like forms for a welcoming visual signature.
Spacing appears comfortable for large settings, helping the dense weight avoid clogging in the sample text. The design favors simple, highly uniform terminals and curves, which creates a consistent rhythm across both uppercase and lowercase and reinforces a clean, system-like presence.