Sans Other Aslul 3 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Quicksans' by Image Club (names referenced only for comparison).
Keywords: posters, headlines, branding, signage, packaging, industrial, stenciled, futuristic, mechanical, utilitarian, distinctiveness, industrial tone, sci-fi styling, display impact, modular construction, segmented, notched, geometric, modular, high-contrast counters.
A heavy, geometric sans built from solid strokes with frequent vertical or horizontal breaks that read like stencil bridges. Curves are broad and clean, while many joins and terminals are squared off, giving the design a modular, engineered feel. Several letters feature split bowls or interrupted stems (notably in O/Q and a number of round lowercase forms), creating distinctive internal negative shapes and a rhythmic pattern of cut-ins across the alphabet. Spacing and proportions feel display-oriented, with large counters and simplified construction that favors bold silhouettes over fine detail.
Best suited to headlines, posters, packaging, and branding where the distinctive cutout construction can be appreciated. It can work well for signage or labels that benefit from an industrial or technical voice, and for entertainment or product identities aiming at a futuristic or mechanical aesthetic. Long paragraphs may feel visually busy due to the repeated internal breaks, so it’s most effective in short bursts of text.
The repeated cutouts and segmented forms evoke industrial labeling, machinery markings, and sci‑fi interface graphics. It feels assertive and technical, with a slightly retro-futurist tone that reads more “system” than “humanist.” The overall impression is confident and utilitarian, designed to look fabricated rather than handwritten or calligraphic.
The design appears intended to deliver a bold, unmistakable silhouette with a consistent stencil/segmented motif, balancing geometric simplicity with a recognizable signature detail. Its construction suggests a focus on impact and thematic styling over neutrality, aiming to provide a ready-made industrial or sci‑fi tone for display typography.
The stencil-like interruptions are a defining motif and will become more prominent as sizes increase; at smaller sizes the interior splits may visually merge. Circular characters (such as O/o and similar forms) rely on a central break that creates a strong signature but can also dominate word texture. Numerals follow the same simplified, cut-in logic for a cohesive alphanumeric set.