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Sans Other Ibja 8 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'AG Royal' by Berthold, 'Asket' by Glen Jan, 'Resist Sans' by Groteskly Yours, 'Goga' by Narrow Type, and 'Nurom' and 'Nurom Next' by The Northern Block (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, signage, industrial, modular, techno, stenciled, assertive, distinctive display, stencil effect, industrial tone, modular system, cutout, segmental, blocky, geometric, compact.


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A heavy, geometric sans with crisp, squared terminals and a distinctly segmented construction. Many glyphs feature deliberate horizontal and vertical cut-ins that read like stencil bridges or modular joins, creating internal gaps and notches while keeping counters large and simple. Curves are built from broad, clean arcs with flat intersections, and diagonals are sharp and weighty, giving the alphabet a tight, engineered rhythm. Overall spacing and proportions feel robust and compact, with strong silhouette clarity at display sizes.

Best suited to headlines, posters, and brand marks where the segmented stencil detail can read clearly. It also works well for packaging, signage, and event graphics that benefit from a rugged, manufactured aesthetic. For longer text, it will be most effective when used sparingly and at larger sizes with comfortable spacing.

The repeated cutout motif and chunky shapes give the font a utilitarian, industrial voice with a techno edge. It feels bold and attention-grabbing, suggesting signage, machinery labels, or futuristic branding rather than neutral text typography.

The design appears intended to fuse a straightforward geometric sans base with a consistent stencil-like interruption, creating a strong display face with an engineered, modular signature. The goal seems to be high-impact readability paired with a distinctive cutout texture that feels industrial and contemporary.

The systematic “break” running through many characters becomes a defining texture in words, producing a striped, stamped look across lines. That motif adds personality and helps differentiate similar forms, but it also introduces extra visual activity that can dominate at smaller sizes or in dense paragraphs.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸