Sans Other Ibry 11 is a bold, wide, monoline, upright, normal x-height font visually similar to 'BR Firma' by Brink, 'Heavitas Neue' by Graphite, and 'Humant' by TipoType (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, wayfinding, industrial, techy, modern, geometric, playful, distinctive sans, tech aesthetic, stencil motif, display impact, stenciled, segmented, modular, rounded, blunt.
A heavy, geometric sans with largely uniform stroke weight and wide, open proportions. Many glyphs incorporate deliberate breaks or notches—often as vertical cuts or small gaps—creating a segmented, almost stenciled construction. Curves are clean and near-circular (notably in O/Q/0 and bowls), while terminals are blunt and squared, giving a crisp, machined finish. Lowercase forms are simple and contemporary, with single-storey a and g, a rounded-arch m/n, and compact joins that keep the texture even in longer lines of text.
Best suited for short-to-medium display settings such as headlines, posters, logos, and packaging where the segmented motif can read clearly. It can also work for signage and wayfinding when set large enough for the cut details to remain unambiguous.
The segmented details and modular geometry lend a technical, engineered tone that feels at home in futuristic or industrial contexts. At the same time, the rounded bowls and friendly lowercase shapes keep it approachable, producing a modern, slightly playful voice rather than a purely austere one.
The design appears intended to combine a straightforward geometric sans foundation with a signature segmented/stencil gesture, creating a distinctive, contemporary voice that still maintains a stable, even typographic rhythm.
The consistent use of gaps as a recurring motif adds distinctiveness in display sizes and helps differentiate similar silhouettes (such as O/0/Q). In dense text blocks the cuts become a prominent texture element, so spacing and size choices will strongly influence readability and impact.