Sans Normal Dibab 4 is a light, normal width, low contrast, upright, normal x-height font visually similar to 'Neue Helvetica', 'Neue Helvetica Arabic', 'Neue Helvetica Armenian', 'Neue Helvetica Georgian', 'Neue Helvetica Paneuropean', 'Neue Helvetica World', and 'Neue Helvetica eText' by Linotype; 'M Ying Hei HK' by Monotype HK; and 'Nimbus Sans Novus' by URW Type Foundry (names referenced only for comparison).
Keywords: ui text, body text, editorial, branding, signage, clean, modern, neutral, airy, friendly, clarity, versatility, modernity, simplicity, geometric, rounded, open apertures, even weight, minimalist.
This sans serif presents clean, geometric construction with smooth, round curves and an even, consistent stroke. Proportions are balanced and fairly open, with generous counters in letters like O, D, and P and clear apertures in forms such as c and e. Terminals are predominantly straight and crisp, while joins stay controlled and uncluttered, producing a calm, regular rhythm in text. Numerals follow the same restrained geometry, with simple, readable shapes and minimal stylistic quirks.
It works well for UI text and product typography where clean outlines and consistent rhythm aid scanning. The open counters and straightforward letterforms also make it a solid option for editorial settings, brand systems seeking a minimal, modern voice, and signage where uncomplicated shapes help recognition at a glance.
The overall tone is contemporary and neutral, with a light, airy presence that feels approachable without becoming playful. Its restrained geometry and tidy spacing read as professional and orderly, suitable for interfaces and general-purpose communication where clarity is the priority.
The font appears designed as a general-purpose geometric sans focused on clarity, consistency, and a contemporary feel. Its simplified shapes and measured proportions suggest an intention to perform reliably across common text and display scenarios without drawing attention to stylistic flourishes.
The design favors uniformity and legibility over expression, with rounded forms doing most of the visual work and little to no calligraphic modulation. In the sample text, the spacing and open shapes keep lines looking bright and uncompressed, supporting smooth reading at larger and medium sizes.