Sans Superellipse Orbip 2 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Cantiga' by Isaco Type, 'Molde' by Letritas, 'RBNo2.1' by René Bieder, 'Sans Beam' by Stawix, 'Newbery Sans Pro' by Sudtipos, 'LFT Etica' by TypeTogether, and 'Great Escape' by Typodermic (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, packaging, bold, industrial, poster-ready, confident, compressed, impact, space-saving, clarity, cohesion, blocky, condensed, compact, uniform, sturdy.
A compact, heavy sans with tightly drawn proportions and a strong vertical rhythm. Curves are built from rounded-rectangle geometry, giving bowls and counters a squarish, superelliptical feel rather than true circles. Strokes are predominantly uniform with minimal modulation, and joins are clean and sturdy, producing dense, high-impact word shapes. The lowercase is simple and utilitarian, with single-storey forms where applicable and short extenders that keep lines visually compact.
Best suited to display settings where strong presence is needed—headlines, posters, branding marks, packaging, and short callouts. It also works well for signage-style applications where narrow width and heavy strokes help fit more characters while retaining clear silhouettes.
The overall tone is assertive and utilitarian, with a modern, industrial edge. Its compressed shapes and dense color read as no-nonsense and attention-grabbing, evoking headline typography used for signage, sports, and impactful branding.
Designed to deliver maximum impact in minimal horizontal space, pairing dense weight with squared-round geometry for a contemporary, functional voice. The consistent superelliptical construction suggests an intention toward clarity and cohesion across letters, numerals, and punctuation in bold display typography.
Spacing appears tight and efficient, reinforcing the compact texture in text. Numerals match the letterforms in weight and geometry, reading solid and straightforward for display use. The typeface maintains consistent rounding and corner treatment across glyphs, which helps it feel unified at large sizes.