Sans Normal Lanom 11 is a bold, wide, low contrast, italic, normal x-height font visually similar to 'BR Nebula' by Brink and 'Texta Pro' by Latinotype (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, sporty, forward-leaning, punchy, modern, confident, impact, motion, modernity, clarity, attention, geometric, rounded, oblique, compact joins, high impact.
A heavy, oblique sans with broad proportions and smooth, geometric curves. Strokes stay largely uniform, with rounded terminals and generous counters that keep forms open despite the weight. The slant is consistent across capitals, lowercase, and figures, creating a strong rightward momentum. Letterforms emphasize simple circular/elliptical construction (notably in O/Q/0/8) paired with firm, straight-sided structure in E/F/L/T and the diagonals of V/W/X/Y. Spacing reads solid and display-oriented, with sturdy joins and a slightly condensed feel in some lowercase shapes due to the weight and tilt.
This style performs best at headline and display sizes where its mass and slant can deliver impact—such as posters, sports and fitness branding, campaign graphics, packaging callouts, and bold UI banners. It can also work for short subheads or navigational elements when a strong, energetic tone is desired.
The overall tone is energetic and assertive, combining a contemporary, athletic feel with a clean, no-nonsense clarity. Its forward lean and dense black presence suggest speed, urgency, and confidence, making it feel well suited to attention-grabbing messaging rather than quiet neutrality.
The design appears intended to deliver a modern, high-impact sans with a built-in sense of motion. By combining geometric roundness with a strong oblique stance and uniform stroke weight, it prioritizes immediacy and recognizability in promotional and branding contexts.
Figures are bold and highly legible, with rounded forms that match the letters; the 1 is a simple, upright-leaning stroke, while 2/3/5 show smooth, continuous curves. The lowercase includes a single-storey a and g, reinforcing the geometric, modern voice. The italic angle is prominent enough to read as a purposeful design choice rather than a slight slant.