Sans Normal Relar 2 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Epoca Pro' by Hoftype; 'Mute' and 'Mute Arabic' by Indian Type Foundry; 'Frutiger', 'Frutiger Arabic', and 'Neue Frutiger Cyrillic' by Linotype; 'Camphor' by Monotype; 'Quodlibet Sans' by Signature Type Foundry; and 'Quebec Serial' by SoftMaker (names referenced only for comparison).
Keywords: branding, packaging, headlines, ui labels, posters, friendly, modern, approachable, confident, clean, approachability, clarity, display impact, contemporary branding, rounded, soft corners, wide stance, even rhythm, open counters.
A heavy, rounded sans with broad proportions and smooth, continuous curves. Strokes are monolinear in feel, with gently softened corners and blunt, straight terminals. Counters are open and generous, and the overall rhythm is even and sturdy, reading clearly at larger sizes. The uppercase has a stable, wide-set structure; the lowercase is straightforward and utilitarian, with simple single-story forms where visible and compact joins that keep silhouettes solid. Numerals are similarly weighty and rounded, designed to visually align with the letters rather than stand out as a separate style.
This style works well for branding and packaging that needs a friendly, contemporary presence, as well as posters and promotional headlines where weight and roundness can carry the message. In digital products it can perform well for short UI labels, buttons, and navigation where clarity and a warm tone are desired.
The tone is modern and friendly, with a straightforward, no-nonsense confidence. Rounded geometry and softened corners give it an approachable, contemporary voice that feels suited to consumer-facing design rather than formal editorial typography.
The design appears intended to deliver a clean, contemporary sans with softened geometry—balancing strong impact with approachability. It aims for dependable legibility and a cohesive, rounded texture across letters and numerals for use in bold, attention-forward typography.
Curves are notably smooth and circular, especially in C/G/O/Q and the bowls of B/P/R, creating a cohesive geometric texture. Diagonals (K/V/W/X/Y) are sturdy and slightly softened, avoiding sharp, brittle joins, which reinforces the font’s robust, welcoming character in display settings.