Sans Superellipse Udnab 9 is a very bold, normal width, low contrast, italic, normal x-height, monospaced font visually similar to 'FF Good' by FontFont, 'Klint' by Linotype, 'Large OT' by Monotype, 'RBNo2.1' by René Bieder, 'Cervo Neue Condensed' by Typoforge Studio, and 'Greeka' by Umka Type (names referenced only for comparison).
Keywords: posters, headlines, signage, logotypes, app labels, industrial, sporty, retro, assertive, playful, impact, utility, motion, systematic, branding, rounded corners, squarish rounds, compact bowls, blunt terminals, oblique slant.
A heavy, oblique sans with a compact, blocky construction and consistently rounded corners. Curves resolve into squarish, superelliptical bowls, giving letters like O, C, and G a softened-rectangle feel rather than a pure circle. Strokes stay uniform with blunt, trimmed terminals and minimal modulation, producing a dense, high-impact texture. Spacing and rhythm are highly regular, and the lowercase shows sturdy, simplified forms with prominent dots and short apertures that keep counters tight at text sizes.
Well suited to posters, headlines, packaging callouts, and signage where a solid, condensed-looking texture is desirable without becoming narrow. The steady rhythm and sturdy shapes also work for UI labels, badges, and short technical or industrial branding applications, especially when you want an oblique, energetic voice.
The overall tone is bold and mechanical, with a sporty, workmanlike energy. Its rounded-rectangle geometry adds a friendly, slightly retro flavor, keeping the weight from feeling harsh. The steady slant and compact shapes create a sense of motion and urgency, suitable for attention-grabbing messaging.
The design appears intended to deliver maximum impact with a controlled, systematic look: blunt, uniform strokes paired with rounded-rectangle geometry for friendliness and consistency. It prioritizes bold presence and repeatable rhythm across letters and figures, aiming for a clean, utilitarian style with a dynamic slant.
The figures are stout and squared-off, matching the letterforms’ rounded-rectangle logic for a cohesive alphanumeric color. Uppercase and lowercase share the same compact, blunt vocabulary, which helps maintain uniformity in mixed-case settings. The design favors strong silhouettes over open interior space, so it reads best when given adequate size and leading.