Sans Superellipse Fogoy 5 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Neue Haas Unica' and 'Neue Haas Unica Paneuropean' by Linotype, 'Dark Sport' by Sentavio, and 'Fixture' by Sudtipos (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, social graphics, sporty, assertive, modern, energetic, punchy, impact, speed, modernization, brand punch, rounded corners, oblique stress, compact apertures, soft terminals, slanted stance.
A heavy, slanted sans with rounded-rectangle construction and softly squared curves throughout. Strokes are thick and largely uniform, with clean joins and rounded corners that keep the forms compact and cohesive. Counters are relatively tight, apertures are modest, and the overall rhythm feels dense but controlled; the italics are driven more by a consistent shear than by calligraphic modulation. Numerals and capitals appear sturdy and geometric, with a slightly squared roundness that reads clearly at display sizes.
Best suited to impactful headlines, posters, and short statements where the bold, slanted forms can carry the composition. It also fits sports and active-lifestyle branding, promotional graphics, and packaging that benefits from a modern, high-energy voice. For extended text, it will be more comfortable at larger sizes with careful spacing.
The overall tone is forceful and contemporary, combining the urgency of an oblique stance with the friendliness of rounded geometry. It feels athletic and action-oriented rather than formal, projecting confidence and momentum.
The design appears intended to deliver a fast, emphatic voice using a robust geometric skeleton softened by rounded corners. The consistent oblique angle and compact forms prioritize immediacy and visual punch while keeping the overall look clean and contemporary.
Diagonal shapes (like V, W, X, Y) become especially dynamic due to the strong slant, while round characters maintain a squarish, superelliptic silhouette. The bold weight and tight internal spaces suggest best results with generous tracking and ample line spacing in longer settings.