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Free for Commercial Use

Slab Square Reko 12 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Athletico' and 'Athletico Clean' by GRIN3 (Nowak), 'Cinema Titling JNL' by Jeff Levine, and 'Hockeynight Serif' by XTOPH (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, signage, western, industrial, retro, assertive, sporty, impact, display, rugged branding, vintage poster, blocky, square-cut, stencil-like, compact, high-contrast counters.


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A very heavy, square-shouldered slab serif with flat terminals and a mostly monoline stroke feel. The design is built from rectangular masses with tight apertures and compact counters, producing a dense, poster-ready texture. Serifs read as bold, squared blocks, and many joins and corners are crisply cut, giving an engineered, carved look. Rounds (like O, C, and G) are squarish and straightened, while the lowercase shows sturdy, simplified forms with consistent weight and a strong baseline presence.

Best suited to display settings such as headlines, posters, badges, logotypes, packaging, and short punchy statements. It can also work for signage or titles where a sturdy, high-impact voice is needed, and is less ideal for long-form text at small sizes due to its dense counters.

The overall tone is bold and no-nonsense, evoking vintage signage, athletic block lettering, and rugged Americana. Its blunt slabs and squared curves create a confident, workwear energy that feels both retro and utilitarian.

The letterforms appear designed to deliver maximum impact with a bold slab-serif structure and square-cut geometry, prioritizing strong silhouettes and a rugged, vintage sign-painting sensibility. The consistent stroke weight and simplified detailing suggest an intention to stay legible and emphatic in large, attention-grabbing applications.

The heavy weight and narrow internal spaces make the face most effective when given enough size or tracking to keep counters from visually filling in. The mix of squarish curves and hard terminals creates a strong rhythm that can dominate a layout, especially in all caps.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸