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Free for Commercial Use

Serif Flared Pyzu 7 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Astoria Sans' by Alan Meeks, 'Elisar DT' by DTP Types, 'Ideal Sans' by Hoefler & Co., 'Halifax' by Hoftype, 'Agilita' by Linotype, and 'Mundo Sans' by Monotype (names referenced only for comparison).

Keywords: posters, headlines, branding, packaging, logos, playful, friendly, retro, bold, quirky, attention, personality, nostalgia, approachability, chunky, rounded, soft corners, bouncy, informal.


Free for commercial use
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A very heavy, compact letterform with broad, rounded masses and subtle flaring at stroke terminals that reads as a softened serif influence rather than crisp, bracketed details. Curves are generous and slightly irregular, with softened corners and a hand-cut feel that keeps counters open despite the weight. The rhythm is lively and uneven in a controlled way—some joins and terminals show small notches or bulges—giving the texture a tactile, cut-paper look. Numerals and capitals are sturdy and poster-ready, while lowercase maintains simple, single-storey forms and stout stems for consistent color.

Best suited for headlines, posters, packaging, and brand marks where strong presence and personality are desired. It also works well for playful editorial callouts, signage, and short promotional copy where the dark typographic color can be used deliberately.

The font conveys a cheerful, approachable tone with a retro display flavor. Its chunky silhouettes and gently quirky details feel playful and human, more like hand-crafted signage than a neutral text face. Overall it suggests warmth, humor, and bold confidence.

The design appears intended as a characterful display serif with softened, flared endings and a deliberately imperfect, hand-shaped rhythm. It prioritizes impact and friendliness over neutrality, aiming to stand out in branding and headline contexts.

At smaller sizes the heavy strokes may cause interior spaces to tighten, but at headline sizes the distinctive terminals and soft geometry become a clear stylistic signature. The overall texture is dark and emphatic, producing strong impact in short phrases.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸