Sans Superellipse Pilub 7 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Morgan Tower' by Feliciano, 'EFCO Colburn' by Ilham Herry, 'Bigticy' by Présence Typo, 'Beachwood' by Swell Type, and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: posters, headlines, branding, signage, packaging, assertive, industrial, condensed, retro, poster, space saving, high impact, modern retro, blocky, squared, rounded corners, compact, high-impact.
A compact, heavy sans with tall proportions and rounded-rectangle geometry. Strokes are uniform and dense, with apertures kept tight and terminals cut cleanly, producing a sturdy, stacked texture. Curves resolve as squared bowls and soft-cornered counters, giving letters like O, C, and G a superelliptical, rounded-rect feel. The lowercase follows the same rigid construction with minimal modulation and short extenders, keeping lines of text visually even and strongly patterned.
Best suited to headlines, posters, and bold branding where space is limited and a dense, impactful voice is needed. It also fits signage, labels, and packaging that benefit from a sturdy, industrial look and consistent, block-based letterforms.
The overall tone is forceful and utilitarian, with a punchy, poster-driven presence. Its condensed, blocky rhythm reads as industrial and slightly retro, evoking signage and headline typography where impact matters more than delicacy.
The design appears intended to deliver maximum visual impact in a condensed footprint, using rounded-rectangle construction to keep forms cohesive and highly legible at display sizes. Its simplified, uniform stroke logic suggests a focus on reproducible, signage-friendly shapes and strong typographic rhythm.
The strong vertical emphasis and compact sidebearings create a tight, economical word shape. The restrained detailing and squared curves help maintain clarity at display sizes, while the dense counters can make long passages feel heavy if set too small or too tight.