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Free for Commercial Use

Sans Normal Ofgay 13 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Modeska' by Eko Bimantara, 'Linotype Aroma No. 2' and 'Neue Kabel' by Linotype, 'Almarose' by S&C Type, 'Geograph' by Sarah Khan, and 'Klein' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, logos, confident, friendly, modern, punchy, utilitarian, impact, clarity, modernity, approachability, branding, rounded, compact, blocky, high-impact, clean.


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A heavy, rounded sans with compact proportions and broad, even strokes that stay consistent across curves and straight segments. Counters are relatively tight, giving letters a dense, solid silhouette, while terminals are clean and largely square-cut, keeping the forms crisp despite the soft geometry. Round characters like O/C/G read as near-circular with sturdy bowls, and diagonals in K/V/W/X are thick and decisive, contributing to a strong, poster-like color on the page. Numerals match the uppercase in weight and presence, maintaining a unified, emphatic rhythm in text and display settings.

Best suited to short, high-impact copy such as headlines, posters, signage, packaging callouts, and bold brand marks where dense weight and rounded geometry read clearly from a distance. It can also work for UI labels or buttons when a strong visual anchor is needed, especially at larger sizes.

The overall tone is direct and assertive, with a friendly approachability coming from the rounded construction. It feels contemporary and practical rather than formal, designed to communicate quickly and loudly without decorative distractions. The dense letterforms project strength and stability, making the voice feel confident and no-nonsense.

The design appears intended to deliver maximum visual presence with a clean, modern skeleton and rounded geometry that keeps the boldness approachable. Its consistent stroke behavior and compact spacing suggest a focus on legibility and strong typographic color in display contexts.

In the sample text, the font’s tight internal space and stout joins create a dark, continuous texture that prioritizes impact over delicacy. The design maintains clear differentiation between key shapes (for example, the geometric rounds versus the angular diagonals), helping it stay structured even at large sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸