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Free for Commercial Use

Sans Faceted Abbub 10 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Libertad Mono' by ATK Studio, 'Ft Thyson' by Fateh.Lab, 'Monorama' by Indian Type Foundry, 'Brave Brigade' by Invasi Studio, and 'Charles Wright' by K-Type (names referenced only for comparison).

Keywords: headlines, posters, sports branding, game ui, signage, industrial, techno, athletic, military, arcade, high impact, mechanical feel, display clarity, brand attitude, octagonal, angular, chamfered, blocky, stencil-like.


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A heavy, block-constructed sans with crisp chamfered corners that turn curves into short planar facets. Strokes stay consistently thick, with squared terminals and a generally compact, geometric structure. Counters are tight and often polygonal, giving letters like O, C, and G an octagonal feel, while diagonals (A, K, V, W, X, Y) are firm and mechanically cut. The lowercase follows the same modular, faceted logic, with a single-storey a and g and simplified, squared bowls that keep texture dense and uniform at display sizes.

Best suited for headlines and short bursts of text where the angular construction can read as a stylistic feature. It works well for sports branding, team or event graphics, game/UI titling, packaging callouts, and bold signage where quick recognition and impact matter more than long-form comfort.

The faceted geometry reads tough, engineered, and utilitarian, evoking sports numbering, industrial labeling, and retro digital/arcade flavor. Its sharp cuts and dense color give it an assertive, no-nonsense tone suited to energetic, high-impact messaging.

The design appears intended to translate a sturdy sans skeleton into a faceted, machined aesthetic, replacing curves with controlled corner cuts to suggest durability and precision. It prioritizes punchy presence and clear, modular shapes for display-driven applications.

Numerals follow the same octagonal construction, with straightened curves and pronounced corner cuts that improve distinction in 0–9. The overall rhythm is tight and steady, creating a strong, poster-like typographic color; small sizes may feel busy due to the narrow internal spaces.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸