Sans Faceted Abras 4 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'ATF Poster Gothic' by ATF Collection, 'Cybersport' by Anton Kokoshka, and 'Evanston Tavern' by Kimmy Design (names referenced only for comparison).
Keywords: sports branding, team apparel, posters, headlines, packaging labels, athletic, industrial, techy, assertive, blocky, impact, ruggedness, precision, modernity, chamfered, octagonal, squared, monoline, compact.
A heavy, monoline sans built from straight strokes and clipped corners, replacing curves with crisp planar facets. Forms lean toward squared, octagonal geometry with consistent chamfering at terminals and joins, creating a uniform, machined silhouette. Counters are tight and mostly rectangular, with clearly cut interior apertures; diagonals (as in A, V, W, X) are sturdy and slightly condensed in feel. The lowercase follows the same angular logic, with single-storey structures and squared bowls, maintaining strong rhythm and dense color in text.
Best suited to high-impact headlines, sports and team branding, merchandise and apparel graphics, and bold poster typography where the angular silhouettes can read large. It can also work for packaging or wayfinding-style labels when ample size and spacing preserve counter clarity.
The overall tone is forceful and functional, evoking athletic lettering, equipment markings, and industrial labeling. Its faceted construction reads as precise and engineered, giving a contemporary, tech-forward impression with a rugged edge.
The design appears intended to deliver maximum visual punch with a disciplined, geometric construction. By systematically faceting curves into chamfered planes, it aims to project strength and precision while staying clean and sans in structure.
The strong corner-cut motif is highly consistent across uppercase, lowercase, and numerals, producing a distinctive texture at display sizes. At smaller sizes, the tight counters and blunt joins may emphasize darkness and reduce interior clarity, especially in rounded letters rendered as squared forms.