Sans Other Judih 6 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Raker' by Wordshape (names referenced only for comparison).
Keywords: headlines, posters, logos, branding, packaging, industrial, technical, tactical, retro-futurist, mechanical, constructed look, machined feel, sci-fi flavor, stencil effect, display impact, stencil-like, chamfered, octagonal, angular, notched.
A geometric, angular sans with squared proportions and frequent 45° chamfers that carve corners into crisp facets. Many curves are implied through segmented strokes, creating octagonal bowls and counters (notably in C, G, O, and 0) and a distinct, stencil-like rhythm from small breaks and notches at joins. Strokes are consistently even, with hard terminals and a modular, constructed feel; diagonals are prominent and sharp, while rounds are reduced to clipped arcs. Overall spacing reads steady and compact, with strong black shapes and clear interior counters despite the deliberate interruptions.
Best suited to display settings where its chamfered geometry can be appreciated—headlines, posters, product branding, packaging, and identity marks. It also fits short UI labels or signage-inspired layouts where a technical, manufactured voice is desired, while extended body copy may feel busy due to the intentional notches and segmented curves.
The tone is mechanical and utilitarian, evoking industrial labeling, technical hardware, and sci‑fi interface typography. Its cut-in corners and segmented curves add a tactical, engineered character that feels modern yet retro-futurist, like signage made to be sprayed, milled, or stamped.
The design appears intended to translate a constructed, machined look into a clean sans framework, using consistent stroke width and systematic corner chamfers to create a distinctive, stencil-adjacent texture. Its letterforms prioritize strong silhouettes and a modular, engineered motif over conventional smooth curves, aiming for a bold, tech-forward display personality.
The distinctive breaks and corner cuts become the primary identifying feature at text sizes, giving the font a branded texture but also increasing visual noise in long passages. Numerals follow the same faceted construction, with especially strong, display-forward silhouettes in 0, 6, 8, and 9.