Sans Normal Lybof 3 is a very bold, normal width, low contrast, italic, short x-height font visually similar to 'Level' by District, 'Klik' by Fenotype, and 'Goldbill' by Wahyu and Sani Co. (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, logos, energetic, sporty, punchy, friendly, retro, impact, speed, attention, branding, display, slanted, rounded, chunky, compact, bouncy.
A heavy, forward-slanted sans with broad, rounded outer contours and compact internal counters. The letterforms lean consistently, with a mix of straight, beveled strokes and smooth curves that create a dynamic, slightly compressed rhythm. Uppercase shapes are blocky and assertive, while the lowercase introduces more circular bowls (notably in a, e, o) and short ascenders that keep the texture dense. Numerals are sturdy and simplified, matching the same rounded–chiseled construction and maintaining strong presence at display sizes.
Best suited to headlines, posters, and bold callouts where the slant and weight can create momentum and emphasis. It can work well for sports and event branding, energetic packaging, and logo wordmarks that need a compact, high-impact silhouette. For longer text, it will likely be most effective in short bursts (tags, captions, or emphasis) rather than extended reading.
The overall tone is loud, kinetic, and confident, reading like athletic branding or bold promotional copy. Its rounded geometry keeps it approachable, while the strong slant adds speed and urgency. The result feels playful but forceful, with a distinctly poster-like, attention-grabbing character.
The design appears intended to deliver maximum impact with a fast, forward-moving stance, combining rounded construction with sturdy, simplified forms. It prioritizes strong word shapes and immediate recognition, aiming for an energetic display voice that stays friendly rather than aggressive.
Round letters show tight apertures and small counters that emphasize mass. Several terminals and joins appear slightly angled or cut, adding a subtle engineered, stencil-adjacent feel without breaking continuity. Spacing looks designed to hold together in big headlines, producing a compact, high-impact word shape.