Sans Normal Lybiv 2 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Remora Corp' by G-Type, 'Otoiwo Grotesk' by Pepper Type, 'June Pro' by Schriftlabor, 'Mundial Narrow' by TipoType, 'Multi' by Type-Ø-Tones, 'Merlo Neue' by Typoforge Studio, 'Kappa' by W Type Foundry, and 'Ambra Sans' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, logos, playful, sporty, punchy, friendly, retro, attention grabbing, friendly display, dynamic emphasis, bold branding, rounded, chunky, soft corners, compact, bouncy.
A heavy, rounded sans with a consistent rightward slant and compact, tightly enclosed counters. Strokes are broadly even with softly blunted terminals, producing chunky silhouettes and smooth, circular bowls. The letterforms show a mildly compressed, forward-leaning stance, with simplified joins and sturdy verticals that keep shapes cohesive at display sizes. Numerals match the same rounded, weighty construction, reading as bold blocks with minimal detail and strong internal rhythm.
This font is well suited to headlines, posters, and short statements where impact and personality are priorities. It can work effectively for sports branding, event promotions, packaging callouts, and logo wordmarks that want a bold, friendly presence. For longer passages, it is best used sparingly or at larger sizes to preserve clarity.
The overall tone is energetic and approachable, with a bouncy, informal motion created by the slant and soft corners. Its thick shapes and rounded geometry suggest a fun, sporty attitude rather than a formal or technical voice. The look leans toward retro display typography—confident, friendly, and attention-seeking.
The design appears intended as a high-impact, characterful sans that reads quickly while projecting motion and warmth. Rounded forms and simplified construction emphasize friendliness and robustness, suggesting a display face built to grab attention in advertising and branding contexts.
The density of the black shapes and relatively small apertures can make fine spacing and interior details close up at smaller sizes, while the slant amplifies a sense of speed and momentum. It benefits from generous tracking in longer lines and performs best where strong contrast against the background is available.