Print Fumav 5 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Siro' by Dharma Type, 'Galvani' by Hoftype, 'Bango Pro' by JCFonts, 'Morandi' by Monotype, 'Core Sans A' and 'Core Sans AR' by S-Core, 'Meutas' and 'Meutas Soft' by Trustha, and 'Remissis' by Typodermic (names referenced only for comparison).
Keywords: posters, headlines, packaging, stickers, event flyers, playful, rugged, punky, handmade, comic, diy texture, poster impact, hand-cut look, casual appeal, chunky, blobby, irregular, rough-edged, soft corners.
A heavy, chunky display face with hand-cut, uneven contours and a subtly distressed edge. Strokes are thick with soft corners and occasional nicks, giving each letter a carved or stamped feel rather than a clean geometric build. The shapes are mostly upright and blocky, with simplified counters and slightly inconsistent widths that create a lively, handmade rhythm. Uppercase forms read like bold poster caps, while lowercase stays compact and sturdy with similarly irregular silhouettes; numerals match the same blunt, cutout construction.
Best suited to short, high-impact text such as posters, headlines, stickers, packaging callouts, and event flyers where the rough edge can be appreciated. It works well when you want a bold handmade look, but will be less comfortable for long passages or very small sizes due to the dense shapes and tight counters.
The overall tone is playful and scrappy, combining a friendly cartoon boldness with a rough, DIY texture. It feels energetic and informal, like lettering made for attention-grabbing headlines, crafts, or zine-style graphics.
The design appears intended to mimic bold hand-drawn or cut-paper lettering—prioritizing personality and punch over precision—while keeping letterforms simple and legible for display use.
Tight interior spaces and heavy inked areas make the texture feel dense, especially in small counters (e.g., rounded letters and some numerals). The deliberate unevenness is consistent across the set, so it reads as a stylistic choice rather than random distortion.