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Free for Commercial Use

Sans Other Ofdo 12 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'EFCO Colburn' by Ilham Herry, 'MARLIN' by Komet & Flicker, 'Eurostile Next Paneuropean' by Linotype, 'Beachwood' by Swell Type, and 'Great Escape' by Typodermic (names referenced only for comparison).

Keywords: headlines, posters, logos, game ui, packaging, industrial, brutalist, urban, arcade, poster, high impact, rugged display, modular feel, graphic texture, blocky, angular, condensed, stenciled, geometric.


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A compact, heavy display sans built from blocky, angular forms with slightly irregular, cut-in edges that give the outlines a chiseled, hand-cut feel. Strokes are consistently thick with minimal modulation, and counters are small and often squared or rectangular. Many joins and terminals are sharply notched or stepped rather than smoothly rounded, creating a tense, mechanical rhythm; uppercase and lowercase share a similarly rigid construction, with simplified bowls and straight-sided curves. Numerals follow the same squared logic, reading clearly at larger sizes with tight internal space.

Best suited to headlines, posters, short slogans, and branding marks where its dense, blocky texture can read as a deliberate style choice. It can also work for game interfaces, event graphics, and packaging that benefits from a rugged, industrial display voice, especially at medium-to-large sizes.

The overall tone is forceful and utilitarian, leaning toward a rugged, industrial mood with a hint of retro arcade and DIY signage. Its hard angles and carved-looking interruptions add grit and urgency, suggesting impact over refinement.

The design appears intended to deliver maximum impact through compact width, heavy massing, and distinctive cut-in terminals, creating a stylized sans that feels stamped, carved, or constructed from rigid modules. It prioritizes strong silhouettes and a gritty graphic texture for display-driven typography.

Spacing appears naturally tight due to the condensed proportions and small counters, which increases density in lines of text. The distinctive notches and squared apertures create strong silhouette recognition but can reduce clarity when set too small or too tightly tracked.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸