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Free for Commercial Use

Groovy Ulro 4 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Power Pop' by Comicraft, 'Aorta' by Gaslight, 'Editorial Feedback JNL' by Jeff Levine, 'Media Blackout' by KC Fonts, 'LT DIE HARD' by Latam Type Foundry, and 'Robuck' by Martype co (names referenced only for comparison).

Keywords: posters, headlines, packaging, album art, event promos, playful, groovy, retro, quirky, friendly, expressiveness, nostalgia, attention, personality, display, blobby, rounded, bulbous, wavy, soft-edged.


Free for commercial use
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This typeface is built from heavy, rounded forms with soft, uneven edges that feel hand-shaped rather than mechanically drawn. Strokes stay consistently thick with minimal modulation, while counters are small and often teardrop-like, creating a compact, inky silhouette. The letterforms lean on simplified geometry—pill-like verticals, inflated bowls, and subtly wavy terminals—producing a bouncy rhythm across words. Spacing and widths vary noticeably from glyph to glyph, reinforcing an organic, irregular texture in text.

Best suited for short, high-impact settings such as posters, display headlines, product packaging, and branded promo materials where a distinctive voice is desired. It can also work for album art and event promotions that want a retro, playful mood, but it is less appropriate for extended reading at small sizes due to its dense interior spaces and bold texture.

The overall tone is upbeat and whimsical, with a retro, poster-like energy that reads as fun and slightly mischievous. Its inflated shapes and quirky details evoke a casual, analog feel suited to expressive, personality-forward messaging rather than formal communication.

The design appears intended to deliver a distinctive, era-evocative display voice through exaggerated weight, rounded forms, and deliberate irregularity. Its construction prioritizes character and visual punch over neutrality, aiming to create immediate recognition and a lively, hand-made impression.

In longer lines, the dense black shapes and small counters create a strong spot-color effect, so it benefits from generous tracking and ample line spacing. The numerals and punctuation match the same soft, blobby construction, keeping the texture consistent across mixed content.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸