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Serif Contrasted Kuno 2 is a very light, wide, very high contrast, italic, normal x-height font.

Keywords: fashion headlines, magazine titles, luxury branding, invitations, book covers, elegant, fashion, editorial, refined, dramatic, luxury tone, editorial voice, display elegance, dramatic contrast, hairline, calligraphic, vertical stress, sharp serifs, flared terminals.


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A delicate, high-contrast serif with strong thick–thin modulation and a consistent rightward italic slant. Stems are razor-thin in places with crisp, sharp serifs and tapered, calligraphic terminals, giving the outlines a precise, chiseled feel. Round letters show pronounced vertical stress and tight hairline joins, while diagonals (V, W, X, Y) resolve into needle-like strokes and pointed intersections. The lowercase is airy with a moderate x-height, open bowls, and an italic rhythm that emphasizes forward motion; figures are similarly refined, with elegant curves and fine entry/exit strokes.

Best suited to display settings such as magazine mastheads, fashion or beauty campaigns, luxury packaging, and refined invitations where the contrast can shine. It can work for short editorial passages or pull quotes when set generously with ample size and leading. Avoid very small sizes or low-contrast printing situations where the finest strokes may fade.

The overall tone is poised and luxurious, with a distinctly editorial sophistication. Its dramatic contrast and italic cadence feel fashionable and expressive rather than utilitarian, suggesting premium branding and high-end publishing. The sharp hairlines add a sense of precision and ceremony.

The design appears intended to deliver a modern, high-fashion take on a classical contrasted serif italic—prioritizing elegance, sharpness, and dramatic thick–thin rhythm over rugged versatility. Its refined terminals and vertical-stress curves aim to create a premium, expressive voice for headlines and brand statements.

At text sizes the hairlines read extremely fine, so spacing and reproduction quality will strongly influence clarity, especially in dense paragraphs or on low-resolution outputs. The italic construction is integral to the design rather than an oblique treatment, and the capitals present a formal, display-oriented presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸