Sans Faceted Voba 5 is a very bold, very wide, low contrast, upright, normal x-height font visually similar to 'Square 721' by Bitstream, 'Arian' by Linotype, 'Bi Bi' by Naghi Naghachian, 'Gemsbuck 01' and 'Gemsbuck Pro' by Studio Fat Cat, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, esports, packaging, industrial, techno, athletic, assertive, utilitarian, impact, futurism, ruggedness, geometric coherence, branding, octagonal, chamfered, blocky, stencil-like, compact.
A heavy, wide display sans built from straight segments and chamfered corners, replacing curves with crisp planar cuts. Counters and bowls read as squared or octagonal forms, with frequent notches and clipped terminals that create a faceted, mechanical silhouette. Strokes are consistently thick with minimal modulation; joins are abrupt and geometric, and spacing feels deliberately roomy to preserve interior openings at large sizes. Numerals and capitals share a uniform, engineered rhythm, while lowercase keeps the same angular construction and simplified shapes for legibility.
This font is best suited to short, high-impact settings such as headlines, posters, sports and esports identities, product packaging, and bold signage where its faceted geometry can read clearly. It also works well for UI-style titles or tech-themed graphics, but is less appropriate for dense body text due to its strong, attention-grabbing forms.
The overall tone is tough and engineered, evoking machinery, sports equipment, and sci‑fi interface lettering. Its sharp facets and cut-in details communicate speed and impact, with a no-nonsense, industrial confidence.
The design appears intended to deliver maximum visual impact through wide proportions, heavy strokes, and angular, faceted construction. By systematically substituting curves with chamfers and planar cuts, it aims for a contemporary, industrial display voice that stays cohesive across letters and numerals.
Diagonal elements (e.g., in A, K, V, W, X, Y) are rendered as broad wedges, reinforcing the rugged, machined feel. Several characters incorporate inset cuts and corner clipping that can read slightly stencil-like, adding texture without introducing ornament.