Sans Other Hudy 11 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Avenir Next', 'Avenir Next Paneuropean', and 'Avenir Next World' by Linotype; 'MC Caliver Stamp' by Maulana Creative; and 'Glot' and 'Glot Round' by Wordshape (names referenced only for comparison).
Keywords: posters, headlines, logos, packaging, wayfinding, industrial, stencil, tech, military, signage, stencil effect, high impact, brand texture, industrial utility, futuristic tone, geometric, segmented, blocky, modular.
A heavy, geometric sans with a modular, stencil-like construction. Letterforms are built from broad strokes and simple curves, with consistent vertical cut-ins that create a split, segmented look through counters and bowls. The shapes are compact and strongly silhouetted, relying on large apertures and simplified joins; round letters (C, O, Q) feel near-circular while straights (E, F, H, I) are rigid and rectilinear. Numerals and capitals carry the strongest identity, and overall rhythm is driven by repeated central notches and punched-in gaps rather than delicate detailing.
Best suited to short, high-impact applications where the segmented stencil motif can be a feature: posters, headlines, branding marks, packaging, and bold signage or wayfinding. It also works well for tech or industrial-themed graphics and titles where strong silhouette and texture matter more than continuous text flow.
The repeated cut-in breaks give the type a utilitarian, engineered tone—part stencil, part futuristic display. It reads as tough and functional, with an industrial or tactical flavor that suggests labeling, equipment markings, and bold graphic statements.
The design appears intended to merge a bold geometric sans foundation with a consistent stencil/slot cut that adds character and functionality. The goal is likely to deliver maximum impact and instant recognizability, using repetition of the cut-ins to create a branded, modular texture across letters and numbers.
The signature vertical interruptions appear across many glyphs (including rounded forms and several numerals), creating a consistent visual motif that can become a dominant texture in text. In longer settings, the segmented pattern adds a distinct cadence and can reduce smoothness compared with a conventional solid grotesk, making it feel more display-oriented.