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Free for Commercial Use

Slab Contrasted Ohpi 2 is a very bold, wide, medium contrast, italic, normal x-height font visually similar to 'Presley Slab' by Sudtipos (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, branding, retro, western, playful, punchy, display, attention-grabbing, nostalgia, sign lettering, expressiveness, bracketed, ball terminals, ink-trap cuts, beak terminals, teardrop counters.


Free for commercial use
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A heavy, right-leaning slab serif with broad proportions, tightly packed bowls, and strongly bracketed slab terminals. Strokes show a clear, energetic contrast: thick main strokes paired with sharper joins and cut-in notches that create a stenciled/ink-trap feel in several letters. The lowercase is round and bouncy with prominent ball/teardrop terminals (notably on a, c, e, and g) and a single-storey a, while the uppercase is blockier and more sign-like with emphatic slabs and angular internal cutouts. Numerals are similarly weighty and compact, designed for impact rather than delicacy.

Best suited to short, bold statements such as headlines, posters, product packaging, and storefront-style signage where its chunky slabs and sculpted details can be appreciated. It can also work for expressive branding and logo wordmarks, especially in nostalgic or Americana-leaning themes, but is less appropriate for long-form reading at small sizes due to its dense weight and decorative cut-ins.

The overall tone is bold and characterful, evoking vintage advertising, saloon/poster lettering, and mid-century display typography. Its jaunty slant and chunky slabs give it a friendly swagger—confident, a bit theatrical, and intentionally attention-grabbing.

This design appears intended as a high-impact display slab that mixes sturdy, sign-painter structure with playful, carved-in detailing. The goal seems to be maximum personality and recognizability—delivering a vintage, poster-ready voice while maintaining a coherent, consistent rhythm across caps, lowercase, and figures.

Many glyphs feature distinctive internal nicks and carved joins that add texture and prevent dark spots at tight corners, giving the face a lively rhythm in text lines. The italic angle is consistent and the spacing looks tuned for display settings, where the heavy color and sculpted terminals read as a deliberate stylistic signature.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸