Sans Superellipse Gimes 14 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Judgement' by Device and 'Computechnodigitronic' by Typodermic (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, signage, techy, retro-futurist, industrial, bold, confident, impact, modernize, signal strength, create geometry, enhance branding, rounded, squared, chunky, geometric, compact.
A heavy, geometric sans built from rounded-rectangle forms with generously radiused corners and largely uniform stroke thickness. Counters tend to be squarish and tightly contained, with terminals that read as blunt and engineered rather than calligraphic. Curves resolve into superellipse-like shapes (notably in O, Q, 0, and 8), while straight-sided letters (E, F, L, T) keep a rigid, modular rhythm. The overall texture is dense and compact, with short apertures and minimal internal detailing that emphasizes solid silhouettes and strong sign-like presence.
Best suited for headlines and short phrases where weight and silhouette do the work—posters, branding marks, product packaging, and bold UI or wayfinding labels. It performs especially well when set with generous tracking and ample size, where the rounded-rect geometry and strong rhythm read cleanly.
The tone is assertive and machine-made, evoking display lettering associated with technology, arcades, and industrial labeling. Its rounded geometry keeps the mood friendly enough to avoid harshness, but the chunky proportions and closed forms still project strength and durability.
The design appears intended to deliver a compact, high-impact display voice using a consistent rounded-rectangle construction. By limiting contrast and relying on engineered curves and squared counters, it aims for a modern, durable look that stays distinctive across large-format applications.
Distinctive details include a squared, inset-style feel to several counters (e.g., B, P, R) and a strong reliance on rounded-corner rectangles across both letters and numerals. The lowercase maintains the same modular logic as the uppercase, producing a consistent, almost stencil-like solidity even without breaks. Some characters have notably tight openings (such as C, S, and e), which increases impact at large sizes but can reduce clarity in small text.