Sans Faceted Asvi 10 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Liquorstore Bold & Bolder' by Chank, 'Ultimatum MFV' by Comicraft, 'Heavy Duty' by Gerald Gallo, 'Chandler Mountain' by Mega Type, 'Hockeynight Sans' by XTOPH, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, industrial, athletic, assertive, retro, sturdy, impact, ruggedness, display clarity, geometric identity, blocky, angular, chamfered, faceted, compact.
A heavy, block-constructed sans with angular, chamfered corners and faceted cuts that replace most curves with straight segments. Strokes are consistently thick with minimal modulation, producing dense silhouettes and strong color on the page. Counters are tight and mostly rectangular, and terminals tend to end in blunt, planar edges. The lowercase mixes compact, boxy forms with simplified bowls and short joins, keeping an overall rugged, engineered rhythm across text.
This font is well suited to short, high-impact settings such as headlines, posters, sports branding, packaging, and bold signage where its faceted geometry can read clearly. It also works for logos and display lockups that benefit from an assertive, industrial voice rather than continuous reading.
The overall tone is bold and no-nonsense, with an athletic, industrial feel that reads as confident and impact-driven. The faceted geometry adds a slightly retro, hard-edged character—more “stamped” and utilitarian than friendly or delicate.
The design appears intended to deliver maximum impact through a simplified, geometric construction language, using faceted cuts to create a distinctive identity without relying on curves or ornament. It prioritizes strong silhouettes and consistent rhythm for display typography that needs to feel tough and direct.
The design relies on repeated angled notches and clipped corners for cohesion, which helps maintain a consistent texture in headings. The density of the interior spaces and the strong, squared punctuation-like details suggest it will look best when given enough size and spacing to keep forms from visually filling in.