Solid Komy 7 is a very bold, wide, medium contrast, upright, normal x-height font.
Keywords: posters, headlines, logos, packaging, event flyers, playful, quirky, cartoon, retro, chunky, attention grabbing, humorous tone, cutout look, poster impact, graphic branding, angular, bulbous, stencil-like, cutout, blocky.
A heavy, display-oriented alphabet with a mix of rounded masses and sharp, chiseled cuts. Many forms show deliberate notches, wedges, and triangular bite-outs at corners and joins, producing a cutout, almost stencil-like rhythm without consistent straight stems. Counters are frequently minimized or visually closed, with several letters reading as solid silhouettes punctuated by small incisions and occasional pinhole apertures. Proportions vary noticeably between glyphs, and terminals tend toward abrupt, faceted endings rather than smooth curves, giving the set an intentionally irregular, hand-cut feel.
Best suited to short, high-impact settings such as posters, splashy headlines, logo wordmarks, packaging accents, and event flyers where its solid, cutout shapes can read at large sizes. It can also work for playful signage or title cards, but will benefit from generous sizing and spacing to preserve letter differentiation.
The overall tone is mischievous and theatrical, like paper-cut shapes or cartoon title lettering. Its exaggerated bulk and quirky cuts create a loud, humorous presence that feels more like a graphic prop than a conventional text face, with a slightly retro, novelty poster energy.
The design appears intended to deliver maximum visual punch through solid silhouettes and intentionally collapsed interior spaces, using irregular wedge cuts to create character and motion. It favors graphic personality and novelty over neutrality, aiming to stand out immediately in display contexts.
The glyph set maintains a consistent motif of wedge-shaped cuts and collapsing counters, but the internal geometry shifts from letter to letter, contributing to a lively, uneven rhythm. Numerals follow the same silhouette-first approach, prioritizing bold shape recognition over fine interior detail.