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Free for Commercial Use

Sans Normal Lybag 1 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Noah' by Fontfabric, 'Ghino' by Fontmachine, 'Madani' by NamelaType, 'Gilroy' by Radomir Tinkov, 'Almarose' by S&C Type, 'Core Sans C' by S-Core, 'Infoma' by Stawix, and 'Caros' by cretype (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, logos, sporty, playful, punchy, retro, friendly, impact, motion, approachability, display emphasis, slanted, rounded, soft corners, compact, chunky.


Free for commercial use
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A heavy, slanted sans with rounded, full bowls and softened corners that keep the large weight feeling smooth rather than sharp. Strokes are broadly consistent with minimal contrast, and the forms lean forward with a steady italic rhythm. Counters are relatively tight, apertures are modest, and joins are sturdy, giving letters a compact, blocky presence. The lowercase shows simple, single-storey constructions where applicable, and the numerals follow the same bold, rounded logic for a cohesive set.

This font is well suited to headlines, short slogans, and display typography where impact and motion matter. It can work effectively for sports branding, energetic marketing, packaging, and logo wordmarks, especially when set with ample spacing and generous size to preserve counter readability.

The overall tone is energetic and upbeat, with a sporty, poster-forward attitude. Its rounded geometry and thick strokes add approachability while still feeling assertive and attention-grabbing. The italic slant reinforces a sense of motion and momentum.

The design appears intended to deliver maximum visual impact with a forward-leaning, dynamic stance while staying friendly through rounded, geometric shapes. It prioritizes bold word-shapes and quick recognition in display settings over delicate detail.

At larger sizes the letterforms read cleanly with strong silhouettes, while at smaller sizes the tight counters and dense weight may reduce internal clarity. The consistent roundness across curves and terminals helps maintain an even texture in words and headlines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸