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Sans Superellipse Osgiw 9 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Kelson' by Armasen, 'Ciutadella' by Emtype Foundry, 'Fester' by Fontfabric, 'Fabrikat Kompakt' by HVD Fonts, 'Helvetica Now' by Monotype, and 'Lyu Lin' by Stefan Stoychev (names referenced only for comparison).

Keywords: headlines, branding, posters, signage, ui labels, modern, assertive, clean, techy, friendly, impact, clarity, modernity, consistency, legibility, geometric, rounded, compact, crisp, high legibility.


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A heavy, geometric sans with rounded-rectangle construction and smooth, continuous curves. Strokes are monolinear with minimal modulation, and terminals are cleanly cut, producing crisp silhouettes. Round letters (C, O, Q) read as superelliptical rather than perfectly circular, while counters are compact and sturdy. The lowercase is straightforward and utilitarian, with a single-storey a and g, a short-shouldered r, and a tightly built s; joins and bowls stay consistent across the set. Numerals and capitals share the same solid, blocky rhythm, giving the design a uniform, high-impact texture in text.

Best suited to headlines, branding marks, and short blocks of copy where strong presence and quick recognition matter. Its sturdy shapes and clear letterforms also translate well to signage and UI labels, especially where a modern, geometric tone is desired.

The overall tone is contemporary and confident, with a functional, no-nonsense voice. Rounded geometry keeps it approachable, while the dense weight and compact counters add authority and punch. It feels at home in modern digital environments—clear, direct, and slightly industrial without becoming harsh.

The letterforms suggest an intention to deliver maximum impact with clean, contemporary geometry: rounded rectangular curves, stable proportions, and consistent stroke behavior. It appears designed to stay legible and visually unified across capitals, lowercase, and numerals while projecting a modern, confident identity.

Spacing appears even and controlled in the sample paragraph, maintaining a steady typographic color at large sizes. The design emphasizes simple forms and consistent curvature, favoring clarity over characterful quirks, which helps headings feel cohesive and signage-style at a glance.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸