Sans Superellipse Esnor 11 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Molde' by Letritas, 'Frygia' by Stawix, 'Kommon Grotesk' by TypeK, 'Adelle Sans' by TypeTogether, 'Genera Grotesk' by Wahyu and Sani Co., and 'Biwa' by Wordshape (names referenced only for comparison).
Keywords: branding, advertising, posters, editorial, interface, modern, clean, dynamic, friendly, modernization, approachability, motion, clarity, rounded, soft corners, oblique, upright terminals, open apertures.
A contemporary oblique sans with subtly rounded corners and smooth, continuous curves that keep the texture even across lines. Strokes are largely monolinear with gentle modulation, and the overall construction favors superelliptical bowls and rounded-rectangle counters. Capitals are broad and stable, while lowercase forms show open apertures and compact joins that maintain clarity in text. Numerals are straightforward and sturdy, with a clear, functional rhythm that matches the letterforms.
Works well for brand identities, campaigns, and headlines where a clean sans with added momentum is desirable. It also suits editorial pull quotes, subheads, and short-to-medium text in layouts that benefit from a contemporary, rounded sans tone. In interface contexts, it can add emphasis and personality for labels or UI highlights while keeping letterforms clear.
The overall tone is modern and approachable, combining a clean, editorial neutrality with a forward-leaning sense of motion. Rounded shaping softens the voice, keeping it friendly rather than aggressive, while the italic angle adds energy suited to contemporary branding and UI-forward design.
The design appears aimed at delivering a modern sans voice with softened geometry and an energetic slant, balancing friendliness with crisp, functional readability. Its superelliptical construction suggests an intention to feel systematic and contemporary without becoming rigid or mechanical.
The italic is consistently applied across capitals, lowercase, and figures, producing a cohesive slanted texture rather than a cursive impression. Counters remain fairly open and the spacing reads balanced, helping the face stay legible despite its pronounced oblique stance.