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Serif Flared Tote 4 is a bold, very wide, low contrast, upright, normal x-height font visually similar to 'Copperplate Gothic' by Bitstream, 'Copperplate EF' by Elsner+Flake, 'Copperplate SB' and 'Copperplate SH' by Scangraphic Digital Type Collection, 'Copper Penny' by The Fontry, 'Copperplate Gothic' by Tilde, and 'Copperplate' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, editorial, book covers, branding, classic, stately, traditional, confident, impact, heritage, authority, display readability, editorial voice, bracketed serifs, flared terminals, open counters, blocky forms, sharp joins.


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A heavy, expansive serif with distinctly flared stroke endings and bracketed serifs that read as shaped, tapered wedges rather than slabs. The design keeps contrast modest, relying on mass, broad proportions, and crisp terminals for its character. Curves are generous and open (notably in C, G, O, and e), while diagonals and joins terminate in sharp, chiseled points (seen in V, W, y, and z). The lowercase shows sturdy, compact bowls and a straightforward, readable structure, with a sturdy, horizontal stress and a consistent rhythm in text.

This style is well suited to headlines, subheads, posters, and cover typography where weight and width can anchor a layout. It also fits editorial and cultural branding applications that benefit from a classic serif voice with extra visual muscle and distinctive flared terminals.

The overall tone feels traditional and authoritative, with a slightly carved, print-forward flavor. Its combination of wide stance and flared detailing gives it a stately, headline-ready presence that suggests heritage publishing and institutional communications.

The font appears designed to deliver a classical serif impression with added heft and breadth, using flared terminals to create a carved, assertive finish. Its forms prioritize clarity and impact in larger settings while maintaining a coherent text rhythm.

Numerals are robust and display-oriented, with angular cuts and prominent terminals that match the letterforms’ wedge-like finishing. The sample text shows strong word shapes and clear counterforms, favoring impact and presence over delicate refinement at smaller sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸