Sans Faceted Ihru 5 is a very light, very wide, monoline, upright, normal x-height font.
Keywords: headlines, posters, logotypes, branding, game ui, futuristic, techno, geometric, sci‑fi, minimal, distinctive display, futuristic tone, geometric system, minimal construction, tech branding, angular, faceted, wireframe, octagonal, sharp.
This typeface is built from straight, monoline strokes that substitute curves with crisp facets, producing many octagonal and hexagonal bowl shapes. Strokes meet in sharp corners with a consistent, schematic feel, and counters are often polygonal rather than rounded. Proportions run broad with generous lateral space, while joins and terminals stay clean and unadorned; several glyphs rely on open forms and segmented geometry (notably the S-like zigzag and multi-faceted O shapes). The overall rhythm is airy and mechanical, with simplified construction that reads like a wireframe outline.
Best suited for display contexts where its faceted geometry can read clearly—headlines, posters, packaging accents, logos, and tech-forward branding. It can also work for game/interface graphics or motion titles, where the angular construction reinforces a futuristic theme; for long body copy it benefits from larger sizes and ample tracking.
The font conveys a futuristic, engineered tone—evoking digital interfaces, sci‑fi titling, and geometric signage. Its faceted construction feels technical and synthetic, with a cool, precise character rather than warm or humanist texture.
The design appears intended to translate a geometric, polygon-based aesthetic into a readable sans, prioritizing distinctive silhouette and a constructed, architectural feel. By replacing curves with planar facets and keeping strokes uniformly thin, it aims for a modern, schematic voice that stands out in titles and identity work.
Letterforms maintain strong internal consistency through repeated polygon motifs and straight-line segmentation. The sample text shows clear word shapes at display sizes, though the open joins and minimalist construction can make similar forms feel close in texture, especially in longer passages.