Sans Superellipse Ukloh 8 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Horizon' by Bitstream, 'FF Golden Gate Gothic' by FontFont, 'Offroad' by Grype, 'Marked' by Sensatype Studio, and 'Mevada SRF' by Stella Roberts Fonts (names referenced only for comparison).
Keywords: posters, headlines, branding, signage, packaging, industrial, technical, retro, assertive, utilitarian, impact, space saving, signage clarity, tech styling, modular system, condensed, rounded corners, rectilinear, modular, uniform stroke.
A compact, blocky sans with a strongly rectilinear build and softly rounded corners, giving many letters a rounded-rectangle silhouette. Strokes are heavy and largely uniform, with squared terminals and tight apertures that create dense counters and a high-ink texture. The forms rely on straight verticals and horizontals with minimal curvature, producing a rigid rhythm and consistent columnar alignment, while widths vary slightly between characters for fitting and legibility. Numerals and capitals follow the same modular logic, with simplified interior shapes and sturdy joins.
Best suited to bold display typography: headlines, posters, sports or tech branding, packaging, and wayfinding where compact width and strong presence help conserve space. It can also work for labels, UI headings, and short callouts, but prolonged small-size text may feel crowded due to tight apertures and heavy color.
The overall tone is forceful and mechanical, evoking signage, machinery labeling, and late-20th-century tech graphics. Its condensed, high-impact shapes feel disciplined and no-nonsense, with a subtle retro-futurist edge driven by the rounded-rectangle geometry.
The design appears intended to deliver maximum impact in minimal horizontal space, using a modular rounded-rectangle system for consistent, industrial clarity. It prioritizes solidity and graphic punch over delicate detailing, aiming for a confident, machine-made aesthetic.
The tight openings and dense counters make it most comfortable at display sizes, where the internal spaces and distinguishing details (like the squared bowls and notched joins) read clearly. The distinctive superelliptical feel is strongest in rounded letters such as O/Q and in the squared curves of S and G.