Sans Superellipse Utkek 6 is a bold, very wide, low contrast, upright, normal x-height font visually similar to 'Arian', 'Eurostile Next', and 'Eurostile Next Paneuropean' by Linotype; 'Bi Bi', 'Novin', and 'Parsi' by Naghi Naghachian; and 'Eurostile Round' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, branding, logos, posters, signage, tech, futuristic, industrial, sporty, confident, impact, modernization, systematic geometry, clarity, rounded, square, expanded, geometric, modular.
A heavy, expanded sans with a modular construction and rounded-rectangle (superelliptic) curves throughout. Corners are consistently softened, counters tend toward squarish bowls, and joins are clean with minimal stroke modulation. Terminals are mostly flat and horizontal/vertical, giving the forms a machined, engineered feel, while diagonals (as in V/W/X/Y/Z and 4/7) stay crisp and straight. Spacing and rhythm feel deliberate and stable, with wide letterforms and ample internal space that keep the dense weight from clogging at display sizes.
Best suited for display typography where its broad stance and strong geometry can define a visual identity—headlines, logos, product marks, packaging, posters, and wayfinding. It can also work for UI titles and dashboard labels when a bold, futuristic voice is desired, while long-form text may feel heavy and space-consuming due to its width.
The overall tone is contemporary and tech-forward, evoking interface labeling, futuristic branding, and performance-oriented graphics. Its rounded-square geometry reads as confident and controlled rather than friendly, leaning more toward industrial precision than casual softness.
The design appears intended to deliver a modern, systematized look built from rounded rectangles—prioritizing impact, clarity, and a cohesive techno-geometric texture across letters and numbers.
The superelliptic logic is especially apparent in rounded characters like O/Q and numerals such as 0/8/9, which maintain squared counters and consistent corner radii. The Q uses an internal diagonal tail, reinforcing the engineered, signage-like character. Lowercase forms stay compact and sturdy with minimal calligraphic influence.