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Sans Normal Utrey 14 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'CamingoDos Condensed' by Jan Fromm; 'Neue Frutiger', 'Neue Frutiger Cyrillic', and 'Neue Frutiger Paneuropean' by Linotype; 'Morandi' by Monotype; 'Akwe Pro' by ROHH; 'Adelle Sans' by TypeTogether; and 'Adora Compressed PRO' and 'Adora Condensed PRO' by preussTYPE (names referenced only for comparison).

Keywords: branding, headlines, posters, editorial, ui text, modern, clean, dynamic, neutral, emphasis, clarity, versatility, contemporary tone, slanted, humanist, open forms, compact caps, rounded terminals.


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A slanted sans with rounded, open counters and a calm, even stroke texture. Uppercase shapes read compact and sturdy, while lowercase forms are more fluid, with single-storey a and g and a gently curved, hooked descender on y. Curves are broadly elliptical and joins are smooth, giving letters like C, G, S, and O a soft, engineered feel rather than sharp geometry. Spacing and rhythm are steady in text, and the numerals follow the same simple, rounded construction for a consistent typographic color.

This style works well for branding systems that need a clean, contemporary voice, as well as headlines, subheads, and promotional typography where a slanted sans can provide emphasis. It can also serve UI labels and informational text when a subtle sense of motion is desired, maintaining clarity through open, rounded forms.

The overall tone is contemporary and straightforward, with the slant adding motion and emphasis without feeling flashy. It comes across as functional and approachable—well suited to communication that wants a modern, energetic edge while staying neutral and legible.

The design appears intended to provide an easy-to-read, modern sans with an italic posture that conveys speed and emphasis while keeping letterforms simple and consistent. Its rounded construction and restrained detailing suggest a focus on versatility across marketing, interface, and editorial contexts.

The italic angle is consistent across the set, and the letterforms avoid fussy details, relying on open apertures and clear silhouettes. In the sample text, the texture stays even at larger sizes, making it feel dependable for both display and short-to-medium reading runs.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸