Sans Superellipse Udbis 9 is a bold, narrow, low contrast, italic, tall x-height font visually similar to 'Roundkey' by 38-lineart, 'Bebas Neue Pro' by Dharma Type, 'Nestor' by Fincker Font Cuisine, 'Americane Condensed' by HVD Fonts, and 'Neusa Neu' by Inhouse Type (names referenced only for comparison).
Keywords: headlines, posters, sportswear, branding, packaging, sporty, urgent, confident, dynamic, modern, space saving, high impact, speed, modern utility, condensed, slanted, rounded, ink-trap, compact.
A condensed, right-slanted sans with a sturdy, compact build and tightly controlled proportions. Strokes are thick and largely uniform, with rounded-rectangle curves that keep bowls and counters smooth and boxy rather than perfectly circular. Terminals are mostly blunt and softly rounded, and several joins show subtle notch-like cut-ins that read as ink-trap detailing. The overall rhythm is vertical and efficient, with short extenders, a compact footprint, and clear, no-frills numerals.
Best suited to short, high-impact settings such as headlines, posters, and bold brand lockups where condensed width helps fit more characters per line. It also works well for sporty or industrial packaging and signage-style applications that benefit from a dense, punchy typographic color.
The tone is energetic and assertive, with a forward-leaning stance that suggests speed and immediacy. Its chunky, compact forms feel pragmatic and contemporary, leaning toward a sporty, action-oriented voice rather than a neutral text mood.
The design appears intended to deliver maximum impact in limited horizontal space, pairing a strong slant with rounded-rectangular construction for a modern, fast, and durable look. Subtle cut-ins at joins hint at practical drawing for small-size robustness while keeping the overall silhouette clean and contemporary.
Uppercase shapes emphasize straight-sided geometry with rounded corners, while lowercase forms keep counters open enough to remain legible despite the tight width. The italic angle is consistent across letters and figures, and the heavy weight maintains a solid color in longer lines without becoming overly decorative.