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Free for Commercial Use

Slab Square Toza 8 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'FF Kievit Slab' and 'FF Milo Slab' by FontFont, 'Shandon Slab' by Hoftype, 'Rooney' by Jan Fromm, 'TheSerif' by LucasFonts, and 'Modum' by The Northern Block (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, editorial covers, assertive, sporty, retro, editorial, punchy, high impact, convey motion, retro display, headline authority, blocky, chunky, bracketed, ink-trap like, compact.


Free for commercial use
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This typeface features heavy, forward-slanted letterforms with sturdy slab serifs and broadly squared terminals. Strokes are thick and even, with minimal modulation, producing a solid, poster-like color on the page. The proportions are generously wide, with a relatively normal lowercase height and compact counters that tighten as sizes get smaller. Curves are built from robust, almost sculpted shapes, and joins show subtle notches and cut-ins that add crispness and prevent dark spots in tight interior spaces.

Best suited to headlines, short statements, and branding where a strong, kinetic voice is needed. It works well for sports and team identities, promotional posters, packaging callouts, and cover typography that benefits from bold slanted emphasis. For longer passages, it’s likely most effective at larger sizes or with generous leading to keep the heavy texture readable.

The overall tone feels confident and high-impact, with a retro, athletic energy. Its bold slanted stance reads fast and loud, projecting urgency and motion while keeping a grounded, workmanlike toughness.

The design appears intended to deliver maximum impact with a slanted, action-oriented silhouette while retaining the sturdy authority of slab serifs. It balances a classic print-display feel with practical, blocky construction meant to hold up in demanding, high-contrast layouts.

In text, the weight creates strong line presence and a dense texture; spacing appears intentionally firm to maintain momentum. Numerals share the same chunky build and squared finishing, supporting headline and display settings where consistency of mass matters.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸