Sans Superellipse Amra 2 is a bold, very narrow, medium contrast, reverse italic, tall x-height font visually similar to 'Seriguela' by Latinotype (names referenced only for comparison).
Keywords: posters, headlines, branding, packaging, editorial display, condensed, energetic, quirky, retro, punchy, attention, space-saving, distinctive voice, display impact, slanted, high-contrast feel, ink-trap hints, compact, bouncy.
This typeface is an ultra-condensed sans with a pronounced reverse slant and tall proportions. Strokes are heavy and tightly packed, with noticeable modulation created by tapered joins and selective thickening in curves, giving round letters a slightly pinched, superellipse-like silhouette. Counters are compact and vertically oriented, and terminals are generally blunt with occasional hooked or notched details that add texture. Overall spacing is tight and the rhythm is lively, with subtle width differences between glyphs that keep words from feeling mechanically uniform.
Best suited to display settings such as posters, headlines, logotypes, packaging, and short editorial callouts where its condensed footprint and distinctive slant can carry a strong visual voice. It can work well for stacked titles and narrow layout columns where maximum impact is needed in limited horizontal space.
The reverse-leaning posture and compressed build create an assertive, kinetic tone that feels deliberately off-axis and attention-grabbing. Its slightly eccentric detailing reads as playful and retro-leaning, suitable for designs that want impact with personality rather than neutrality.
The design appears intended to deliver high-impact display typography with a condensed, space-saving footprint and an intentionally unconventional reverse slant. Its superelliptical round forms and expressive notches/joins suggest a goal of combining clarity at large sizes with a distinctive, characterful texture.
In the sample text, the strong diagonals and compressed counters produce a dense typographic color that benefits from generous tracking and leading. The numerals share the same compact, tilted energy, and the lowercase shows particularly tall ascenders/descenders, emphasizing vertical momentum.