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Sans Superellipse Otgid 5 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Grandheron Sans New' by André Simard; 'Geogrotesque Sharp' by Emtype Foundry; 'Expreso' by JVB Fonts; 'Azbuka' by Monotype; and 'Centima', 'Centima Pro', 'Decima Pro', and 'Decima Round' by TipografiaRamis (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, wayfinding, industrial, technical, signage, retro, compact impact, modern utility, signage clarity, geometric identity, rounded, condensed, blocky, compact, geometric.


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A condensed, heavy sans with rounded-rectangle construction and largely uniform stroke thickness. Terminals are blunt and squared-off, while corners and curves are softened into superelliptical rounds, creating a sturdy, machined feel. Counters are compact and often rectangular, with tight apertures and minimal modulation; overall spacing reads dense and efficient. The numerals match the letterforms with the same compact geometry and strong, poster-ready silhouette.

Well-suited for headlines, posters, and branding where compact width and strong presence are needed. It also fits packaging, labels, and wayfinding-style applications that benefit from an industrial, high-contrast silhouette at medium to large sizes.

The tone is utilitarian and assertive, leaning toward industrial signage and technical labeling. Rounded corners temper the weight, giving it a friendly, modern edge while still feeling disciplined and functional. It suggests clarity, structure, and a slightly retro mechanical character.

The design appears intended to deliver a compact, high-impact sans that stays legible while projecting a robust, fabricated aesthetic. Its rounded-rectangle geometry points to a deliberate blend of strict structure and softened edges for contemporary display use.

Distinctive rounded-rectangle bowls and squared interior shapes give many letters a stamped or fabricated look. The condensed proportions and strong verticals create a consistent rhythm in all-caps, while the lowercase retains the same compact, engineered geometry for a cohesive texture in text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸