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Free for Commercial Use

Slab Square Subol 3 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'FF Milo Slab' by FontFont, 'Rooney' by Jan Fromm, 'Multiple' by Latinotype, 'Diverda Serif' by Linotype, and 'Questa Slab' by The Questa Project (names referenced only for comparison).

Keywords: headlines, posters, editorial, branding, packaging, confident, vintage, sporty, collegiate, impact, readability, tradition, emphasis, display, bracketed, robust, upright-leaning, open counters, compact.


Free for commercial use
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This typeface is a slanted slab-serif with sturdy, rectangular serifs and a compact, muscular build. Strokes appear largely monoline with minimal modulation, creating a solid, even rhythm in text. The letterforms are relatively wide and well-spaced, with open counters and clear interior shapes that keep the texture readable at display sizes. Serifs are pronounced and mostly squared-off, with subtle bracketing in places that softens joins and helps the forms flow despite the strong slab presence.

It performs best in headlines, subheads, and short passages where the strong slabs and slant can project impact and personality. It suits editorial covers, advertising, packaging, and branding systems that want a traditional, confident voice with enough motion for emphasis. In longer text, it works most naturally as a display companion rather than a primary body face.

The overall tone is assertive and energetic, combining a classic print/advertising flavor with a slightly sporty, poster-ready stance. Its slanted posture adds momentum, while the heavy slabs lend a dependable, no-nonsense feel that reads as traditional rather than futuristic.

The design appears intended to deliver high-impact readability with a familiar slab-serif structure, using a forward slant and sturdy terminals to add urgency and presence. It balances classic signage and print cues with a crisp, blocky serif treatment for modern, attention-grabbing settings.

Uppercase shapes emphasize broad, stable proportions and strong horizontal terminals, while the lowercase maintains a straightforward, workmanlike construction. Numerals match the same robust, slabbed vocabulary and sit comfortably alongside caps in size and weight, supporting punchy, headline-driven composition.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸